Is Honesty and Integrity Lost on The Nanny-State-Media?
February 3, 2010
ACORNNanny-State Media Barely Covered One of the Most Corrupt Scandals by one of the most Corrupt Entities in America--But It is giving front page, distorted coverage to James O'Keefe, the investigative reporter who did the nation a huge favor by exposing ACORN. O'Keefe has not yet been charged with anything.
January 3, 2010
Telegraph.Co.UK
Toby Harnden
Barack Obama is Vulnerable on Terror and He Knows It
Excerpts:
In his weekly radio address yesterday, President Barack Obama patted himself on the back for having "refocused the fight - bringing to a responsible end the war in Iraq, which had nothing to do with the 9/11 attacks".
He then told people to remember that "our adversaries are those who would attack our country, not our fellow Americans", before decrying "fear and cynicism" and "partisanship and division" - the code phrases for horrid Republicans used during his 2008 election campaign
Complacency, faux moralising and partisan shots at Republicans. It was a neat summary of where Obama is going wrong after the Christmas Day debacle when the Nigerian knicker bomber managed to waltz onto a Detroit-bound flight.
Full article Toby Harnden Telegraph.UK
It seems likely that for most of the twentieth century, the Mainstream Media has leaned left in its politics.
This would favor voting for and supporting the Democrat Party more than the Republican Party.
Why?
Democrats favor solutions by government. Republicans support something much closer to Laissez Faire, meaning essentially keeping government out of individual lives, where feasible and to the extent, the general population is served properly but not interfered with by government meddling.
From our founding, until FDR was inaugurated, the Constitution was enforced, very close to its original intention.
FDR, however, initiated legislation and programs which are almost certainly unconstitutional but because the Great Depression created so much fear and misery, set the stage for the nomenclature of that fantastic document, to be altered dramatically.
PAULINE KAEL
Influence
Almost as soon as she began writing for The New Yorker, Kael carried a great deal of influence among fellow critics. In the early seventies, Cinerama distributors "initiate[d] a policy of individual screenings for each critic because her remarks [during the film] were affecting her fellow critics."[43] In the seventies and eighties, Kael cultivated friendships with a group of young, mostly male critics, some of whom emulated her distinctive writing style. Referred to derisively as the "Paulettes," they came to dominate national film criticism in the 1990s.
MEDIA MALPRACTICE
Critics who have acknowledged Kael's influence include, among many, A. O. Scott of The New York Times,[44] David Denby and Anthony Lane of The New Yorker,[45][46] David Edelstein of New York Magazine,[47] Greil Marcus,[47] Elvis Mitchell,[48] Michael Sragow,[47] Armond White, and Stephanie Zacharek of Salon.com.[49] It was repeatedly alleged that, after her retirement, Kael's "most ardent devotees deliberate[d] with each other [to] forge a common School of Pauline position" before their reviews were written.[50]
MEDIA MALPRACTICE
When confronted with the rumor that she ran "a conspiratorial network of young critics," Kael said she believed that critics imitated her style rather than her actual opinions, stating, "A number of critics take phrases and attitudes from me, and those takings stick out—they’re not integral to the writer’s temperament or approach."[51]
MEDIA MALPRACTICE
When asked in 1998 if she thought her criticism had affected the way films were made, Kael deflected the question, stating, "If I say yes, I’m an egotist, and if I say no, I’ve wasted my life."[22] Several directors' careers were indisputably affected by her, though, most notably Taxi Driver screenwriter Paul Schrader, who was accepted at UCLA Film School's graduate program on Kael's recommendation. Under her mentoring, Schrader worked as a film critic before taking up screenwriting and directing full-time.
MEDIA MALPRACTICE
Also, film critic Derek Malcolm claimed that, "If a director was praised by Kael, he or she was generally allowed to work, since the money-men knew there would be similar approbation across a wide field of publications."[11] Alternately, Kael was said to be able to prevent filmmakers from working; David Lean claimed that her criticism of his work "kept him from making a movie for 14 years."[52] (He was most likely referring to the break between Ryan's Daughter in 1970 and A Passage to India in 1984.)
MEDIA MALPRACTICE
Though he began directing movies after she retired, Quentin Tarantino was also influenced by Kael. He read her criticism voraciously growing up and said that Kael was "as influential as any director was in helping me develop my aesthetic."[29] Wes Anderson recounted his efforts to screen his film Rushmore for Kael in a 1999 The New York Times article titled "My Private Screening With Pauline Kael".[53] He later wrote Kael that "your thoughts and writing about the movies [have] been a very important source of inspiration for me and my movies, and I hope you don't regret that."[5]
MEDIA MALPRACTICE
Pauline Kael Kael is frequently quoted as having said, in the wake of Richard Nixon's landslide victory in the 1972 presidential election, that she "couldn't believe Nixon had won", since no one she knew had voted for him.
MEDIA MALPRACTICE
Media Malpractice To Editorials
